Meant to recreate the fleshy overspill of an obese person
sitting on a chair, Charlotte Kingsworth’s ‘Hybreeds’ are vintage chairs with
upholstered rolls, bulges and muffin tops.
Somewhere between shrink wrapping and a by-product of the
birthing process, ‘Xylinum’ is named after the bacteria that consumed sugar to
make it, and takes upholstery to a whole new interesting yet off-putting new
level.
Carl
De Smet’s ‘Memories of the future’ chair is designed to grow from a small
square of memory foam when heat is applied. Gershon Kingsley’s ‘Popcorn’ playing
in the background optional.
Because every room in the house could use a little fungus, Shinwei
Rhoda Yen embedded mushroom spawn onto the underside of a simple stool. Less cumbersome
than a planter, ‘Mushrooms ate my furniture’ brings a little of the forest in,
and will liven up your omelets all winter long.
Produced partly by robotic arm and partly by silkworm, MIT’s
‘Silk Pavilion’ is the epitome of technological meets organic, culminating in a
large fluffy cloud.
Bridging the gap between a little overgrown to wildly
ungroomed, Nacho Carbonell’s hedgehog-like chair-like objects don’t invite
casual leaning.
Maarten De Ceulaer’s ‘Mutation’ furniture pieces are an experiment
gone wrong, but also horribly right. This probably what bacteria furniture looks
like.
Like capitonné melanoma in your interior, Robert
Stadler’s ‘Tephra Formations’ and ‘Bifurcations’ have an uneven contour and
grow in odd places.
by Claire Toussaint Abbiyesuku
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