As Dzine forays into the wonderful world of ceramics (check
out pics of our ‘Anillo’ series designed by Victor Carrasco at www.facebook.com/Dzinestore), we
are more and more inspired by the beauty of this living material.
Here are a few broken pieces that there is no point in
crying over:
Combining porcelain and a local Israeli clay, Schlomit
Bauman ‘double-cast’ pots and everyday objects and then sat back and watched
the different shrinkage rates battle it out to create the ‘Ran-out’ collection.
Reiko Kaneko’s double heritage is apparent in this
beautifully imperfect tea set. Indeed, the ‘Drip Tease’ collection is British
teatime meets Japanese Wabi-sabi, and certainly makes spilling a whole lot more
glamorous.
Drawing a deeper connection between old ladies and their
ceramic objects, Tamsin Van Essen shows the beauty in disease in her ‘Medical
Heirlooms’ series. Pots with rashes, third degree burns, eczema and other
painful looking ailments populate this collection, which looks like it should
come wrapped in gauze.
Xiaoli Wen used a silicone-sealed plaster cast system to mold
discarded bottles, which are reshaped by being plunged into a waterfall while still
curing and then used as a positive to create a mold.
The result is water’s revenge on the containers that shaped
it for so long, in the form of a collection of distorted porcelain bottles.
Another tea set, this time created by making molds from
fabric prototypes.
Alice, by Rachel Boxnboim, has the soft but sharp
characteristics Andre Breton dialogue:
Paul: “I love you”
Valentine: “A cloud of milk in a cup of tea”
Although they look a bit like they were burnt in the oven
like a batch of cookies, these vessels by Fumiaki Goto are fired partly
submerged in charcoal which turns the pointy bit (deprived of oxygen) into a
pencil lead.
Crudely carving bowls and mugs out of a lump of plaster, Max
Lamb created a crockery collection, slip-cast by Staffordshire ceramics company
1882 Ltd. (check out photos of the factory in the second printed issue of
‘Handful of Salt’). Perfect for the modern-day Betty Rubble!
Inspired by the story of a Tea set left in ruins which
started to grow flowers after birds dropped seeds inside, ‘100 years after the
party’ by Makiko Nakamura tells the tale of ceramics which become more
beautiful after breaking and sprouting new life.
by Claire Toussaint